KIZILDENIZ-Media and Cultural Studies

Media and Cultural Studies

What is the specialty of Media and Cultural Studies:

The cultural study is a branch of study or academic discipline concerned with theoretical, political, and empirical analysis, focusing on the political dynamics of contemporary culture. Its origins can be traced back to a number of British academics and later developed until it was transformed by many scholars of different disciplines around the world. Authoritative cultural studies can sometimes be viewed as interdisciplinary, and as cultural studies scholar, Toby Miller writes: Cultural studies have a tendency to cross disciplines, rather than a commitment per se", although most practitioners of cultural studies are professional academics, and Gilbert Rodman argues in his book "Why Cultural Studies?", that this field must be understood to include some cultural analysts and practitioners non-academics. The field of cultural studies encompasses a wide range of theoretical and methodological perspectives and practices.

Although cultural studies differ from the disciplines of cultural anthropology and ethnic studies, cultural studies draw and contribute to each of these disciplines.

Cultural studies focus on the political dynamics of contemporary culture, its historical foundations, and its defining qualities and conflicts, and also cultural studies bring together a variety of critically and politically drawn approaches including semiotics, Marxism, feminist theory, ethnography, critical race theory, structuralism, and postmodernism. Colonialism, social theory, political theory, history, philosophy, literary theory, media theory, communication studies, political economy, translation studies, museum studies, art history, there is a critique of the study of cultural phenomena in different societies and historical periods, and cultural studies seek to understand how meaning is generated, bound with systems of power and control, produced by social, political, and economic spheres within a particular social formation or circumstance.

There are important theories of cultural agency and hegemony influenced both by the cultural studies movement, as well as several recent major theories of communication and agendas, such as those that attempt to explain and analyze cultural forces related to the processes of globalization.

History of Media and Cultural Studies:

Dennis Dworkin also wrote a "decisive moment" at the beginning of cultural studies as a field when it was used by Richard Hoggart in 1964 in founding the Birmingham (UK) Center for Contemporary Cultural Studies or the Birmingham School. The Birmingham School at the University of Birmingham thus became the first global home for cultural studies. Hoggart appointed Stuart Hall as his assistant and had effectively directed the Birmingham School by 1968, formally taking over as principal in 1969 when Hoggart retired. After that, the discipline became closely associated with Hall's work. In 1979, Hall left Birmingham School to be accepted to the prestigious chair in sociology at the Open University in the United Kingdom, and Richard Johnson took the position.

In the late 1990s, a "restructuring" at the University of Birmingham led to the elimination of the Birmingham School and the creation of a new Department of Cultural Studies

and Sociology (CSS) in 1999. Then, in 2002, the University of Senior Management at Birmingham suddenly announced the dissolution of the CSS, which sparked great international outrage.

The immediate reason for the new administration's dissolution was the result of an unexpected decline in UK research assessment for 2001, although the rector attributed the decision to "macho management experience" RAE, a British Government Reservation led by Margaret Thatcher's 1986 initiative, outlining funding for the new administration. Research for university programs and there are also many published accounts from the history of cultural studies.

Beginning in 1964 after the founding emergence of British Culture Studies, in the late 1950s, Major Stuart Hall worked at Birmingham School, with colleagues and graduate students alongside including Paul Willis, Decca, David Morley, Charlotte, John Clark, Richard Dyer, Judith Williamson, Richard Johnson, Ian Chambers, Dorothy Hobson, Chris Whedon, Tony Jefferson, Michael Green and Angela. They gave form and content to the field of cultural studies and many researchers of cultural studies are still working with Marxist methods of analysis, exploring the relationships between cultural forms (superstructure) and political economy (base). From the 1970s, Louis Althusser's work radically rethought the Marxist account of the "base" and "superstructure" in ways that had a major impact on the work of the "Birmingham School." Much of the work done at Birmingham School young people studied subcultural expressions of middle-class hostility to "respectable" British culture in the post-World War II era. Also during the 70s, the politically formidable British working classes were beginning to decline. And manufacturing industries in Britain are fading and shrinking, after it was in union with the millions of working-class Britons who supported the rise of Margaret Thatcher. For Stuart Hall and his colleagues, this shift in loyalty from Labor to the Conservative Party was to be explained in terms of cultural policy, which was followed even before Thatcher's victory. Some of this work was presented in the classic Cultural and Conditional Studies of Crisis and in other later texts such as Hole's Difficult Renewal Way: the Thatcherism and the Crisis of the Left and the New Times: The Changing Face of Politics in the 1990s To trace the development of British cultural studies, eg, the work of Richard Hoggart, E.P. Thompson, Raymond Williams, Stuart Hall, Paul Willis, Angela, Paul Gilroy, David Morley, Charlotte, Richard Dyer, and others.

The importance of studying the specialty of Media and Cultural Studies:

The MA in Media and Cultural Studies aspires to become one of the important centers of learning and research in its field in the Arab region. It offers its students a range of courses designed for advanced coverage of core areas of specialization, interacting with the most important debates in the discipline globally. These courses allow students to learn about the latest theoretical and cognitive developments in the various fields of specialization, as well as keep abreast of the relevant rapid technical developments, and follow up and study their social, artistic and cultural repercussions.

The program is distinguished by encouraging in-depth and bold research in all fields related to Arab media. In this regard, the program focuses on preparing its students to conduct empirical research in the fields of media production, cultures, and media organizations; This enhances the abilities of these researchers to analyze the data and effects of the media in Arab and non-Arab societies. The program is also distinguished by its initiative to encourage rethinking the reality of Arab media, and critically reviewing it, by following up on the renewed debate and enriching it at various levels in the field of media and cultural studies.

Media and Cultural courses:

The subjects taught in the program include academic research skills, media theory, media presentation, Arab media cultures, visual culture, and media users. The study extends to focus on the political economy of media as well as media ethics

Fields of work for the Media and Cultural Studies major:

New media arts, performance, politics, visual culture, digital culture, music/audio, gender and gender, critical race studies, indigenous studies, postcolonial and diaspora studies, transnational culture and international communications, important environmental

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