KIZILDENIZ-Theater

Theater

What is the specialty of Theater major:

Theater is a collaborative form of performing arts that uses live performers, usually actors or actresses, to present the experience of a real or imagined event in front of a live audience in a specific setting, often on a stage. Performers may convey this experience to the audience through combinations of gestures, speech, song, music, and dance. Elements of art, such as painted landscapes and theatrical crafts such as lighting, are used to enhance the physicality, presence, and immediacy of the experience. The exact place of performance is also called by the word "theater" as derived from the Ancient Greek θέατρον (théatron, "place to watch"), itself from θεάομαι (theáomai, "to see", "to watch", "to watch").

Modern Western theater comes, to a large extent, from the theater of ancient Greece, from which it borrows technical terms, classification into genres, many of its themes, financial characters, and plot elements. Theatrical artist Patrice Bavis defines drama, theatrical language, stage writing, and the particularity of theater as synonymous expressions that distinguish theater from other performing arts, and literature and the arts in general.

Modern theater includes performances of plays and musical theater. Ballet and opera art forms are also theatrical and use many conventions such as acting, costumes, and theater. They were influential in the development of musical theater. See those articles for more information.

The city of Athens is where Western theater originated. It was part of a broader culture of theater and performance in Classical Greece which included festivals, religious rites, politics, law, athletics, gymnastics, music, poetry, weddings, funerals, and symposia.

Participation in the city's many festivals—and the obligatory attendance at City Dionysia as a member of the public (or even as a participant in a theatrical production) in particular—was an important part of citizenship. Civic engagement also included an evaluation of the orator's discourse apparent in performances in a law court or political assembly, both of which were understood as analogous to theater and increasingly assimilated to its dramatic vocabulary. The Greeks also developed concepts of dramatic criticism and theater architecture. The actors were either amateurs or at best semi-professionals. The theater of ancient Greece consisted of three types of drama: tragedy, comedy, and satyr theater.

Theater has its origins in ancient Greece, according to Aristotle (384–322 BC), the first theorist of theater, in festivals that honored Dionysus. Performances were performed in semicircular halls cut into hillsides, capable of accommodating 10,000 to 20,000 people. The stage consisted of a dance floor (orchestra), a dressing room and a scene-building area (knife). As the words were the most important part, good phonics and clear delivery were paramount. Actors (always men) wore masks appropriate for the characters they represented, and each might play several parts.

Athenian tragedy - the oldest surviving form of tragedy - is a type of dance drama that has formed an important part of the city-state's theatrical culture. It emerged sometime during the 6th century BC, flourished during the 5th century BC (from the end of which it began to spread throughout the Greek world), and remained popular until the beginning of the Hellenistic period.

No tragedy survived from the sixth century B.C. and only 32 of the more than a thousand were performed during the fifth century B.C. We have complete texts surviving from Aeschylus, Sophocles, and Euripides. [27][h] The origins of the tragedy remain obscure, although by the 5th century BC it was institutionalized in the contests (agon) held as part of festivities celebrating Dionysus (god of wine and fertility). As contestants in the City Dionysia competition (the most famous festival for presenting drama), playwrights were required to submit a group of plays (although the individual works were not necessarily related to the story or theme), usually consisting of three tragedies and one satyr play. The performance of tragedies in the city of Dionysia may have begun as early as 534 BC; Official records (didaskaliai) begin from 501 BC, when the play of the satyr was introduced.

Most of the Athenian tragedies dramatize events from Greek mythology, although the Persians - who depict the Persian response to news of their military defeat at the Battle of Salamis in 480 BC - are the notable exception in the surviving drama. When Aeschylus won his first prize at City Dionysia in 472 BC, he had been writing tragedies for over 25 years, yet his tragic treatment of modern history is the first surviving example of drama. More than 130 years later, the philosopher Aristotle analyzed the Athenian tragedy of the fifth century in the oldest surviving work of dramatic theory - his Poetry (circa 335 BC).

Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy" and "New Comedy". The Old Comedy has survived today largely in the form of the eleven surviving plays of Aristophanes, while the Middle Comedy has been largely lost (preserved only in relatively short fragments in authors such as Athena of Naucratis). The New Comedies are known mainly from the large papyrus fragments of Menander. Aristotle defined comedy as a representation of funny people that includes some kind of blunder or ugliness that does not cause pain or disaster.

In addition to the Comedy and Tragedy classes in Dionysia, the festival also included a satyr play. Finding its origins in the rural and agricultural rituals dedicated to Dionysus, the play of the satyr eventually found its way to Athens in its most famous form. The satyrs themselves were associated with the god Dionysus as his faithful companions in the forest, often engaging in drunken festivities and mischief at his side. The satyr play itself has been categorized as a tragicomedy, erroneously erring on the side of more modern comic traditions of the early 20th century. The plots of the plays were usually concerned with the dealings of the gods' deities and their participation in human affairs,

The importance of studying the Theater major:

Theater helps us see a different perspective from our own. We have shown humanity, psychology, motivation, conflict, and resolution. We viewers witness the path of people other than ourselves. As artists, we put ourselves in emotional and intellectual situations that may never show up in our personal lives. Theater encourages us to give strength to truth, to take risks and to invite new and diverse voices.

Theater reminds us that we are not alone. Not only are we sharing the space and experience with the artists performing, we share the experience with our fellow audience members. Movies and television do not have the same intimacy or sense of participation. Sharing an experience with live actors and members of a live audience is not only valuable, but essential to human communication.

Theater is immediate, evolving and always different. Although the script may be the same every night, the performance is unique each time it takes place. No two displays are the same. In this way, everyone involved has a special and unique experience that can never be replicated.

Live theater helps foster social discourse, dialogue, and potential social change. Theater is a cultural phenomenon that requires society to examine itself in the mirror. We can study societal problems and try to find solutions to them. Coming together as a community to hear opposing viewpoints is essential.

Theater encourages education and literacy. Studies have shown that students who participate in theater do better in school.

Theater subjects: